Starting off the first excerpt from The Agency of 2022, we have "Inmate 064" which ties in very closely with "Artifact 0145HF" so you may want to go read that one if you haven't already.
Inmate 064
History
& Description
Inmate 064,
known as the Pied Piper only when under the influence of Artifact 0145HF, is
perhaps one of the most well-known inmates the agency currently has
incarcerated given that he is the multi-billionaire Maximilian Hester. Inmate
064 has been in custody of the agency wardens ever since his supposed suicide
in 2020 and has expressed remorse for his actions, except when in the presence
of Artifact 0145HF. When exposed to Artifact 0145HF, he becomes panicked and
attempts to flee or destroy the artifact while avoiding contact with it at all
costs.
According to
all wardens and support team Sigma personnel, Inmate 064 is a model inmate,
despite knowing that there will be no parole or release for good behavior. He
follows all orders, behaves himself, keeps his cell tidy, and has proven
willing to provide information regarding Artifact 0145HF, how it came into his
possession, and his experiences with it.
Testimony
2020-06-27
Arch. Doyle: Statement of Inmate
064, previously known as Maximilian Hester, regarding his experiences with
Artifact 0145HF and time spent as the Pied Piper.
Inmate 064: Please don’t call me
that.
Arch. Doyle: Interview recorded
direct from subject by Archivist Miah Doyle with support team Sigma Officer
Levi Tolley witnessing.
Inmate 064: I don’t really know
where the…the flute came from.
Arch. Doyle: Why the emphasis on
Artifact 0145HF?
Inmate 064: Because…because it
looks like a flute, sounds like a flute. But it’s not. It doesn’t feel like a flute. Not…not exactly
anyway. It feels like something…different. Wrong. It feels unnatural. Wrong on so many levels that it just…it
grates on you. It permeates everything. Possesses you. Possessed me. But it’s
just a flute. It is a flute. It’s not some kind of demonic artifact. It’s just
a flute. An old flute that I must have bought at an auction.
Arch. Doyle: You don’t remember?
Inmate 064: No. I just woke up one day and it was there, on
my dresser where I always put new purchases. I must have bought it, but I don’t
remember it. No one else seemed to acknowledge it whenever they’d see it. Or
whenever they were supposed to see it, like when they were in my room and
looking right at my dresser. They’d comment on the other things on my dresser—a
pair of bookend statues that I purchased from an antiquities dealer two days
before the flute showed up, a samurai sword that was a pain to get through
customs, an artistically embellished clock designed to sit on the mantle of a
fireplace. But no one ever mentioned the flute. It was as though they couldn’t
see it.
I know
how stupid that sounds. It was real. Is real.
Clearly. You have it. You’ve seen it—
Arch. Doyle: Actually, I haven’t
seen it personally. But I do understand what you mean. People from the Agency
have seen it, it’s been catalogued and stored.
Inmate 064: Woo, you scared me for a minute there when you
said you hadn’t seen it. My point is no one else seemed to see it. I’d bring
people over, I’d point it out and they’d just…kind of stare for a moment as
though in a trance then talk about one of the other things on the dresser by
the flute. It was like…like it didn’t want
to be seen.
I know. I
know how stupid I sound. How crazy. It’s
just a flute. It can’t think, it can’t want anything. But I know how it
felt to be around the damned thing. I was the one it chose. Heh. Again, I sound
crazy. It’s just a flute. It can’t
physically do anything. Except…it can, can’t it? It changes the engravings on
it whenever someone plays it.
I didn’t notice it at first. I tried to avoid
looking at the thing, being honest. It…unnerved me. No one noticed it and it…it
felt wrong. Just looking at it made me feel ill.
It was 2014 when I noticed it had changed. Initially
when I saw it, the engravings were of bare vines. It…vanished from my home on
the twenty-sixth of June. Or at least…I don’t remember it being there after
that date. I can’t remember seeing it again until four years later. But before
it vanished, that morning I looked at it and the vines…there were buds on them.
I thought it was strange, but then I ignored it, finished getting ready, and
left the room.
It’s all a bit hazy from that point on. I know
had important meetings and that I went to those meetings, but I can’t for the
life of me remember anything that was discussed or who I met with. I just know
that I returned home at the end of the day and the flute was gone.
I was relieved, to be honest. I didn’t have to
see that damnable thing again. I thought maybe someone had stolen it, but my
mansion has the best security and nothing else was out of place. Nothing else
was missing. Still, I was just glad to be rid of the damn thing.
I heard on the news about the children vanishing
from the park and thought it strange. So many children just vanishing in plain
daylight with their parents right there. Quite an organized kidnapping. Had to
be. Kidnapping just one kid in a public area would be hard enough, but to take
ten children at once? Very organized operation.
The flute came back in 2018, sometime in May. It
was on my dresser again. The engravings were bare vines again. I didn’t pay
much attention to it. It still bothered me, still felt wrong. Felt worse now,
especially since there’s no way someone could have gotten into my mansion to
put it there. It just seemed to appear or disappear whenever it wanted.
In June, I noticed the engravings had buds again.
Fifteen this time. I counted because it seemed like more than the last time. I
once again went about my day and it was gone when I came back. Again, my
memories of what I did that day are foggy, but I know that I went to meetings
and made deals with very important people, but I can’t remember who they were
or what the deals entailed.
The news that evening mentioned a school bus of
fifteen elementary-aged children was hijacked and the kids were missing. I felt
bad for the parents. I don’t have children myself, but I like them. I
just…well, I never found the right person. Anyway, my heart ached for those
parents. To just lose your kids when they’re supposed to be somewhere
safe…that’s just a nightmare.
I didn’t see it again until 2020. It came back
from wherever it goes when it vanishes. Vines again. I tried to ignore it like
I had before, but…I couldn’t this time. It…it was almost like it was calling to
me. I know, I know. I sound crazy again, but that’s how it felt. It was calling
to me. It wanted me to pay attention. It wanted…it wanted more.
It told me to host a charity event for children
at my mansion. It wanted me to play it and…I did. I did everything it said
because I couldn’t resist. There was just something about it that made me
cooperate. When the day of the event arrived, I donned my green suit that I
always wore and, once everyone had arrived, I began to play.
I
don’t…I don’t remember much after that. It gets foggy. I just know that when I
stopped playing, there were agents there demanding that I come with them. I
handed over the flute and they brought me here. I don’t know what happened to
the children. I just know that the vines were thornier and there were one hundred
and thirty rose buds on it that morning.
Arch. Doyle: Statement ends. Witness
statements from receptionists and security footage at Inmate 064’s previous
place of employment indicates that he never went into work on days
corresponding to the kidnappings in 2014 and 2018. Whatever Artifact 0145HF is,
it would seem that it has the ability to remain hidden in plain sight and alter
memories, at least of the one it is targeting. The question still remains with
how it connects to the first instance of Artifact 0145HF and the original
Piper.
I hope you enjoyed that excerpt. There may not be any more excerpts from The Agency for awhile, but I'll still try to keep updating.