Thursday, March 25, 2021

Organization

 Something that I've neglected to cover in previous posts is organization. This is because every writer has a system that works for them and no two people will have the same methods. I decided to share some information about how I organize my writing projects to hopefully offer some help.

I'm a planner. I plan and world-build and go into minute detail with things that will likely never be important in my projects. It's fun for me. I do go a bit overboard sometimes, though. 

Case in point, I have a three-inch three-ring binder for one idea. Granted, this idea is my science-fiction idea which I'm currently defining as a space opera and this binder contains information on alien races, planets, colonies, space habitats/stations, the various militaries, technology, and characters, but still, it seems a bit extreme to have such a large binder for one idea. This is to say nothing of the Word document or the Notepad file on my computer that connect to this idea. 

The binder is divided (with the use of color-coded dividers) into sections with the heading of the different planets with subheadings of the alien race(s) that live there; a section for the colony planets, headings of the colony planets with subheadings for the colonies there; a section for space habitats/stations with headings naming them; a section for characters; a section for the militaries and headings specifying them; a section for technology; and a section that is left blank for now because I know something will come up that I need to include. Getting into even more detail, each alien race culture is divided into smaller sections through the use of sticky notes (that are also color-coded). 

Does that mean that you need to go into this much detail to be a great writer? No. 

I don't even have this much detail for every idea of mine.

The Agency has a couple pages in a one-subject notebook and one Word document with some information about the support teams, divisions, and ideas. The couple pages in the notebook are just character concepts and a couple details for me to keep in mind for intertwining the entries. 

Other ideas of mine usually get put into their own five-subject notebooks, preferably the ones that have pockets on the dividers so I can store loose-leaf things such as maps. 

One of my newest ideas is sharing one such notebook with other ideas, though it had its beginnings as a Notepad file of character concepts. I transferred those into the notebook, then began expanding the details of the setting and mythology whenever I was away from my computer. This included details about the demonic hierarchy (which also included supernatural creatures that operate in our world but weren't inherently demonic necessarily though they were associated with them) and the secret order that one of the characters belongs to.

Another idea that I've spoken about before vaguely in the post about writing exercises just recently got a notebook of its own. Before, it lived in a notebook that houses a couple of my Dungeons & Dragons campaign setting details that didn't get made into their own Word documents, because I didn't know what I was doing with it. Now that I've figured out that I am indeed going to try to do something with it as the idea has shown that it is developing into more than just a few writing exercises, the information is being transferred to its own notebook. There is also a Notepad file with world-building questions that are being answered then added to the notebook. Some of the information is written in a short paragraph while some is written in more of an outline style.

Do you have to use notebooks to be a good writer? No. 

Like I said, this is just what I do that works for me and, as you can tell from the way my organization and level of detail varies between projects, I'm not even following one style of organization. I do whatever works for the idea I'm working on at the time. If the idea requires more detail and organization, such as the science fiction one, I go overboard with the organization. If the idea doesn't require full world-building, just a bit of dropping unusual things into our world such as with The Agency, then a small notebook or Word document is all I'll use before diving into the project. If the idea is based in our world but requires a bit of explanation and detail, then it gets a larger notebook and a loose bit of organization with characters and the differences between the real world and the one presented in the idea. If the idea is a completely different world but one where I'm still working on the concept, it gets a larger notebook with more world-building information and less about characters.

Sometimes my method of organization is just to write down an outline of the idea and other times my organization just involves a Word document that has scenes that have been in my head. Other times, I use a three-ring binder and divide it into characters, settings, artifacts, and dangers, though this isn't usually for one specific idea and more just for concepts and ideas that just don't fit with anything else I'm currently working on, but that I want to have written down for future reference. 

My point is that different people have different styles of organization when it comes to their writing. You don't have to use one style or the other and sometimes one idea will require a different style of organization than others. Just because your idea doesn't have multiple notebooks dedicated to it doesn't mean the idea isn't valid or worthy of attention. Just because pieces of the idea may be scattered across multiple notebooks, binders, and Word documents or only written down on index cards or sticky notes doesn't mean it's not a valid idea deserving of attention. Organize your ideas in the way that works for you. You may find this changes from project to project and that's okay. Trying to shoehorn your idea into an organization style that doesn't work for it or you may make you unhappy with the idea and result in the idea being ignored undeservedly. 

Thursday, March 18, 2021

Artifact 0535C

 I mentioned in my last post that I have a significant other. My significant other, Myrrh, is an artist. They paint, do ceramics, crochet and knit, and make soap. They're truly amazing. They also write. When I first began The Agency, I read "Artifact 0037LH" to them. They were inspired by it to write their own entry, "Artifact 0535C," and have granted me permission to share it here. So, here is Myrrh's story for The Agency.

Artifact 0535C

Artifact Description

Artifact 0535C, a brass coin with a hatched border found on the desk of Warden Gregory Everett and bearing his likeness on its front. On the back, letters have been scratched into it which read, “PEREDO,” with three vertical lines beneath. The coin seems to have appeared mysteriously and bears no fingerprints save for the clear right thumbprint of the Warden on the side with his image. Warden Everett has yet to be found. One Curator has also gone missing in the presence of the artifact.

No other records of such a coin have been located at this time.

Testimony 2014-03-07

Arch. Lucas: Statement of…

Cur. Matthews: Curator Robert Matthews.

Arch. Lucas: Yes. Statement of Curator Robert Matthews regarding his experience with Artifact 0535C. Anytime you’re ready.

Cur. Matthews: Thanks, I guess… Um… God. Where to start?

Arch. Lucas: The beginning, please.

Cur. Matthews: Right… right. The beginning. The coin was found on the desk of Warden Everett, though I bet that’s probably written down somewhere already… We don’t know where it came from, or really much about it. Jonah- er, Curator Myers… He was the first one assigned to investigate it. We still haven’t found him, but I heard him scream. It… It was cut off. Not like he was choked or something, but more… well, more like his vocal cords just vanished in the middle of making sound. That’s the closest I can get to describing it. I don’t think he’s still alive, wherever he is. The rest of us drew straws to see who was going to go in and look, and I’m glad I drew a long one. I don’t know what Curator Lee witnessed, but she came out looking like she’d seen a ghost and I didn’t ask. I think she’s new… I think she may need to see a Medic or have some kind of evaluation or-

Arch. Lucas: So, the coin?

Cur. Matthews: Right, sorry. I don’t like thinking about that thing. I was the unlucky sod who replaced Curator Myers in researching it, you know. I was holding it – with gloves and a full hazmat suit, I’m not suicidal – to get a better look at Jonah’s face on the coin when a Librarian whose name I don’t remember tried to get my attention. Considering I was looking at a perfect rendition of a missing friend’s face on a coin that may have killed him, I don’t think it’s too surprising that I was on edge. I startled and dropped it. It bounced, but that doesn’t explain why the face I had been examining was gone when I picked it up.

It turned out that the Librarian was just there to tell me that the scratched word on it was Latin. Roughly translated, it means “to eat” or “to waste.” But something tells me it’s closer to “devour.” I think it ate Warden Everett and Jonah. And I think I might be next.

Arch. Lucas: What makes you think that?

Cur. Matthews: I’ve been dreaming. Not like my normal dreams, these are too vivid. There’s something I’m being pulled towards, a force I can’t break free from. I’m on the streets of a ruined city, and I’m marching toward… something. Something in the center. And every night, I get closer. I didn’t sleep last night. I don’t want to dream anymore.

Arch. Lucas: Maybe you should see a Medic.

Cur. Matthews: I-I will. I just… I just have to go do my shift, and then I’ll go.

Arch. Lucas: Statement ends. Cur. Matthews was admitted to the Infirmary. He vanished from his bed between 0330 and 0345 on March 5th, and CCTV records show him entering the Museum at 0357. He did not come out, and a thorough search has yielded little. Of note, though, are reports that Artifact 0535C was discovered out of place and once again bearing an image on the front.

That was "Artifact 0535C" written by Myrrh. There may be some more stories from them in the future, but the next story from The Agency is going to be another one from me. 

Thursday, March 11, 2021

Writing Exercises & Writer's Block

 So, in my post about generators, I mentioned the writing exercise generator found here and gave an example of one (Write for at least 3 minutes about a misstep, a cave, and a border. Focus on distinguishing characters through dialogue.) that was generated for me. This was one that broke me out of the writer's block I'd been dealing with. 

This exercise was generated at the time I was watching the donghua (Chinese animation, similar to Japanese animation aka anime) Mo Dao Zu Shi on YouTube. It's based on a novel of the same name by author Mo Xiang Tong Xiu and there is also a live-action version called The Untamed available on Netflix. I mention this because I am someone who takes inspiration from everything around me and, in this case, what I was watching flavored what I wrote for those three minutes, particularly the names. 

Now, I'm not sharing what I wrote, but like I said before, this broke me out of writer's block. As I wrote, I became interested in the characters I'd created. I wanted to know more about their cultures, why it was such a grave misstep, and exactly how far the one character had wandered to have crossed the border. I wanted to know more about the world these characters were in, but I didn't start working on that yet. No, instead I generated another writing exercise, this one: Write for at least 500 words about a newspaper, a firefly, and a romance. Focus on describing unusual details

For this one, I focused on the characters from the previous one, but clearly this was set at a point further in the future when they were romantically involved. I wanted to learn more about the characters and their world, and in this exercise because I needed to focus on unusual details, I learned that the one character is from a clan that lives in a cliff-side palatial home, very reminiscent in style to the Hengshang Hanging Temple (read more about it here) and there was apparently a war that both were involved in. Through writing, I also learned that the palatial home is hanging over a valley with a village which gets very foggy during rainy weather and the lantern lights cut through it, flickering like fireflies. 

This stuck with me and I began working on fleshing out the world. I created a map, using the map maker found here, and began figuring out cultural information for the world. Funeral practices, gender roles, marriage rites, coming of age, arts and entertainment, honor, trade, how to distinguish status--all of these are things I've worked on and figured out. Is this complete? By no means. I'm still working on figuring out all the details for the world and it's something I come back to on when I feel myself suffering from writer's block because the writing exercises all seem to inspire scenes in my head involving the two characters from that original writing exercise. 

Now, I mentioned earlier that writer's block is something I deal with. I know I'm not the only writer that's dealt with it. Writer's block is terrible. With me, I start feeling out of sorts if I don't write for a few days. I am always writing or creating in some fashion. If I'm not working on The Agency, I'm world-building the science fiction idea. If I'm not doing that, I'm creating a homebrew campaign setting for Dungeons & Dragons. If I'm not doing anything related to writing, I'm antsy and uncomfortable. 

My significant other has noticed that writing is a good way of gauging how I'm doing mentally and emotionally. When I was going through a particularly rough time, I went a year without writing anything more than short roleplay hooks for World of Darkness: Innocents. My significant other pointed out that it was clear that my mental health had improved because I was writing again.

Writer's block isn't always tied to mental health, but it can be. The one thing that is important to keep in mind is that writer's block is not something to be ashamed of. It doesn't reflect poorly on you as a writer or on the project you're writing. It doesn't mean that you're a bad writer or that you're lazy or that your idea isn't interesting enough. Writer's block happens to everyone who writes and, naturally, everyone has their own opinions on how to combat it. 

For me, I've found that sometimes if I'm dealing with writer's block regarding one idea, it's best to take a break and work on something else for a little while. Sometimes, writer's block (and my own mental health) means that an idea has to be shelved for awhile, at least until I'm able to sort out my own demons, especially when the work hits uncomfortably close to home as happened with one project of mine. 

Sometimes, writer's block is best dealt with by not working on anything at all for a little while. Trying to force yourself to write can lead to irritation at yourself and your writing. What you write when forcing yourself to write may not be your best, which is fine, but then you may look at it later to edit and get disgusted with it. I've done that. I managed to salvage a character concept from one thing I wrote when I was forcing myself to write and am working it into another possible idea, though the rest of what I wrote is...meh. 

Another trick I've picked up for writer's block is listening to music, especially songs or soundtracks that make me think of a particular project or mood I'm going for. With music playing and writing exercises being generated, I was able to break through my writer's block this time and ended up creating a world I'm excited to learn more about. Each writing exercise I do involving these characters leads to me understanding a little more about the setting and a little more of their story emerging. 

So, if you're suffering from writer's block on one idea, maybe let that idea sit for a bit and write something else. Do a writing exercise. Write a scene from your project that you're excited about. Listen to music. Take a day or two to just relax. Don't pressure yourself to write. Eventually, you'll feel like working on your project again and you'll approach it with renewed energy.

Thursday, March 4, 2021

Location 062EP

 In today's excerpt from The Agency, we travel to a small town in the mountains that is quarantined by the Agency due to the unusual way they worship. As this is also a longer entry, this will only be an excerpt of the story. 


Location 062EP

Location Description & History

Location 062EP a small town nestled in the foothills of the mountains is known as Ebony Peak to those outside of the Agency. Location 062EP has a population of just under one hundred that has been increasing slowly due both to births and outsiders moving here, though custodians have been attempting to prevent outsiders entering the town.

            The town is small. The school is a combination elementary, middle, and high school. The church is the most prominent and maintained building, though none of the buildings look rundown, though there are a few houses with yards that haven’t yet been mowed and exteriors that could use a fresh coat of paint. The church is in the heart of downtown, the center of this small town, with every building spiraling out in a web-like pattern. Shops and the school are closer while the houses are further out. The exception is the parsonage which is located right next to the church.

            The contact with the world outside of Location 062EP is limited. There is a limit to the amount of internet access the town is permitted and the websites the people visit are closely monitored. Other than this, Location 062EP is not denied or restricted in the necessities. They have running water which primarily comes from a spring and wells, electricity from a hydroelectric dam further north, natural gas, and they are still able to receive mail from elsewhere in the world. Despite the limit on their internet usage, the people in Location 062EP are not oppressed or deprived.

            Location 062EP appears deceptively normal and idyllic. The kids go to school through the week, parents go to work, and the entire town goes to church on Sunday, Wednesday, and Saturday for a child-friendly service, sort of like Sunday school. In fact, it is difficult to tell there is anything unusual about this location until someone witnesses the inhabitants say grace over a meal, as Reginald Lucas of support team Zeta can attest in Testimony 2017-03-24.

            Despite the strict quarantine, the Archives have been fortunate enough to obtain testimonies from several residents, including Pastor Williams (Testimony 2007-09-18) and Rowan Woods (Testimony 2014-05-10).

Testimony 2007-09-18

Arch. Whitfield: Statement of Pastor James Williams regarding…a series of strange dreams, recorded direct from subject by Archivist Bradley Whitfield. Statement begins.

Ptr. Williams: The dreams are uncomfortable, to say the least. It’s so hard to tell it’s a dream until after I wake up drenched in sweat. The dreams always start out normal. I’m getting ready for dinner with my family. We’re all gathered around the table and I began to say grace. Then, as I’m speaking, these long, thin arms start coming from their mouths. Multi-jointed fingers, two thumbs on each hand. The hands come out and touch the food, take a small piece, and then go back inside their mouths. Then my wife turns to me and asks, “Do you want me to say grace for you?” I nod and she begins saying the prayer. I watch as those same strange fingers start coming from my lips. I feel them on my lips, feel them in my mouth, watch as they stretch and take some of my food. Then I wake up. Everything is normal. My family is asleep and safe, content. The next day, I say grace and everything is as it should be.

Arch. Whitfield: Right. Well, thank you for your statement. However, the Agency is not in the habit of accepting statements of dreams or hallucinations or things that cannot be verified by outside witnesses.

Ptr. Williams: I’m telling you that these dreams are not normal. There’s something wrong with that place, that town. You have to do something. I came here because I was told by Clare Howard that you all could help. That you could fix this, stop the nightmares. And now you tell me that your Agency doesn’t get involved with things like this? There has to be something you can do.

Arch. Whitfield: I’m sorry, Pastor. There is nothing that we can do. We do not investigate situations with dreams or hallucinations.

Ptr. Williams: It’s fine. I’ll just…go, I guess.

Arch. Whitfield: Statement ends. Pastor Williams referenced Ms. Clare Howard, the woman who reported and allowed us to obtain Artifact 0089J. This is unsurprising as she admitted to being a devout Christian and likely went to visit Pastor Williams to discuss to Artifact 0089J before the Agency sent collectors to retrieve it. Despite this not being something the Agency will investigate, I will keep this testimony for records on the off-chance something strange happens regarding Ebony Peak. 


So ends the excerpt of "Location 062EP." Next week, there will be another post about writing, possibly some of the writing exercises I've been doing or possibly some info about other writing projects. Then, after that, there will be another entry from The Agency